On a chill night of November, Victor finally brings his creation to life. Upon the opening of the creature's "dull yellow eye," Victor feels violently ill, as though he has witnessed a great catastrophe. Though he had selected the creature's parts because he considered them beautiful, the finished man is hideous: he has thin black lips, inhuman eyes, and a sallow skin through which one can see the pulsing work of his muscles, arteries, and veins. The beauty of Frankenstein's dream disappears, and the reality with which he is confronted fills him with horror and disgust. He rushes from the room and returns to his bedchamber.
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Mary Shelley displays a form of horror and suspense with a dash of Romanticism in her novel, Frankenstein. It contains a gloomy and dark setting to also create a better understanding and familiarity between the main character known as Victor Frankenstein and the creature. Being written in the time of the Romantic era, Shelley uses vivid language to portray her objection of the Enlightenment age as […].
Contemporary beliefs held that no one would be willing to read the work of a woman; the fantastic success of Mary Wollstonecraft Shelley's Frankenstein served to thoroughly disprove this theory. De Stael, however, was more famous for continuing to publish her works despite the fact that the Emperor Napoleon had explicitly forbade her to do so, rather than for the quality of the works themselves. Though Frankenstein is now customarily classified as a horror story albeit the first and purest of its kind , it is interesting to note that Shelley's contemporaries regarded it as a serious novel of ideas.